Disney’s periods of success and failure have always come in waves, tracing back to the company’s beginnings exactly 100 years ago. For every Disney Renaissance or Golden Era, there’s a disappointing slate to follow of critical and commercial...
With the recent nostalgia having already crescendoed (and seemingly begun its slow descent), it’s hard to muster much excitement for the “legasequel” – the colloquialism reserved for films meant to stand on their own and launch an old...
Despite attempts within Hollywood to stifle the mid-budget adult film in favor of franchises and IP, the genre has remained defiantly resilient. Perhaps it’s because there’s something innately human about them – not many individuals will...
Following up a massively successful debut film is a monstrous, and often disastrous endeavor. While occasionally you’ll get a film like Creed, Little Women, or Us, it is far more likely that hubris and delusions of grandeur will cloud a...
There’s a reason romantic comedies don’t have sequels. The entire point is the phrase “happily ever after” – no one wants to get into the nitty gritty of real life. In fact, only a handful of films have even dared to try it, most recently Father...
There are few directors working today as iconic – or as infuriating – as Christopher Nolan. After the unstoppable success of The Dark Knight, Nolan’s films have gotten bigger and bolder in size and scope. Yet the more grandiose his films have...
It’s hard to think of a bigger summer movie this year – indeed, since before the pandemic, perhaps – than Barbie. With Greta Gerwig coming off the critically and commercially beloved Lady Bird and Little Women, an all-star cast, and one of the...
There has been much scuttlebutt in recent years over the so-called death of the erotic thriller. While there has certainly been a decline in the subgenre (defined by its intense action surrounding sex and sexuality, like Body Heat or Basic...
Are there movie stars anymore? I don’t mean recognizable faces or performers – I mean true blue stars that can carry a movie on sheer charisma alone. We once had an entire system devised around these titans of the screen, capable of leading a...
Parody filmmaking is a dying art form, and that’s probably for the best. While films like Airplane! and most Mel Brooks films break the mold, most others range from average (despite some memorable scenes and breakout stars, most Scary Movie films...
Has cinema reached its nadir? This is a question critics and film lovers have been asking for years, as the industry shifted towards an infantilizing obsession with nostalgia and remakes and reboots. Long before AI was sentient enough for...
How does one follow up a once-in-a-generation film? That’s the question that Across the Spider-Verse poses, a follow-up to the 2018 masterpiece (I don’t use this word lightly) Into the Spider-Verse. The first film was rightly hailed as one of the...
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